6

Someone recently called my attention to a hexameter by Lucilius:

Jānus, Quirīnus "pater" siet ac dicātur ad ūnum.
Janus or Quirinus may be "father"; every single [god] is called this.

And there's something a bit odd about this scansion. The second syllable of Jānus has to scan as light, even though it's followed by another consonant. In other words, the final -s before a stop isn't treated as a coda.

This makes sense to me—phonologically, squ- is a valid syllable onset, as in squālor. But I've never seen this sort of syllabification in metered poetry before: normally, s between a vowel and a consonant is treated as a coda (e.g. -us la- in Aeneid I.2).

How common is this? Does it happen in Classical authors too (or really anyone except Lucilius)? And is there a name for it?

1

1 Answer 1

5

The standard analysis of this phenomenon, which shows up in Early or Old Latin poets such as Lucilius and Plautus, is that word-final s was not resyllabified, but rather prone to elision when followed by a consonant (but not when followed by a vowel). The light scansion of a word-final sequence of short vowel + s (usually excluding words where the s was historically derived from a geminate) can occur regardless of whether the s can form a valid onset cluster with the following consonant(s).

Some sources discussing this describe the condition for elision more specifically as "word-final s after a short vowel", but I don't see how we'd know whether it did or didn't also occur after a long vowel, since elision in that context wouldn't affect the meter.

2

Your Answer

By clicking “Post Your Answer”, you agree to our terms of service and acknowledge that you have read and understand our privacy policy and code of conduct.

Not the answer you're looking for? Browse other questions tagged or ask your own question.